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Showing posts with label biennale. Show all posts
Showing posts with label biennale. Show all posts

11:00 am

BENAH LOVES | Ken and Julia Yonetani








Collaborative sculptural artists, Ken (Japan) and Julia (Australia) Yonetani’s work often discuss the current state of our environment, and in light of Art Month (which the pair are indeed a part of) we sought to learn more about their practice. They have shown all over the world, most notably at the Venice Biennale and also at our own Art Gallery of New South Wales, and now we share one of their beautifully poignant installations with you.
Still Life: The Food Bowl, 2011, is a collection of objects molded out of groundwater salt from the Murray-Darling Basin, known as ‘Australia’s food bowl’. The work touches on the artistic tradition of Still Life that emerged out of the rising European bourgeois class from centuries ago. In an attempt to bring to their audience’s attention the environmental issue of salinity, the artists reenact the contemporary human condition of consumption and mortality as direct influences on the current state of our environment. Through the juxtaposition of salt as both preservative of food and destroyer of ecosystems, the pair presents a complex metaphor of the rise and fall of civilizations and the problem of climate change that faces us on a global scale today.
To see more of their work, visit their website
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10:00 am

READ | Here Art Grows On Trees


Here at Benah, we hold books as of utmost importance. They are vehicles for imagination, creativity, and most importantly knowledge and expanding our sense of self. Also with a soft spot for the visual arts, it is a true joy when these two mediums join forces to create something truly wonderful. Enter, Here Art Grows On Trees, the beautifully rendered monograph of artist Simryn Gill.
Sydney-based film and design collective, Collider, was commissioned to create the identity and supporting materials for Australia’s representation at the 55th International Art Exhibition at La Biennale di Venezia just last year, and the team spent six months working with Gill to better understand her practice. Following this, the dream-team of creative individuals commissioned curator Catherine de Zegher to punctuate and edit the 300-page catalogue and monograph, which was published by Belgian publishing house MER that same year.
A beautifully rendered book, Here Art Grows On Trees boasts a hard cover and stunning colour images, all paying tribute to the delicately sensitive art of Simryn Gill. 

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